The importance of the shot
list is that it helps us organised the camera shot, angle
and movements in into each shot and with each actor in chronological
order. This will help us when filming as we know all there is to know for each
shot.
The shot list is essential for our film is a great way to improve the planning of our film.
For example, we have 5 separate locations that we are filming in therefore the shot list will help us to get all of our filming done in each location correctly and will minimize errors that could occur.
It’s an opportunity to see what our film will look like on the screen before starting to do the storyboard.
The shot list is essential for our film is a great way to improve the planning of our film.
For example, we have 5 separate locations that we are filming in therefore the shot list will help us to get all of our filming done in each location correctly and will minimize errors that could occur.
It’s an opportunity to see what our film will look like on the screen before starting to do the storyboard.
Shot No.
|
Shot Type
|
Actor
|
Description
|
Dialogue
|
1
|
Establishing Shot
|
N/A
|
Includes shot of main school
|
N/A
|
2
|
Establishing Shot
|
N/A
|
Fade from last shot to new shot of
the sport pavilion (non- diegetic sound of bells ringing)
|
N/A
|
3
|
Long Shot
|
Kai
|
Includes a long shot of Kai in the
corridor opening locker.
|
N/A
|
4
|
Tracking Out
|
Kai, Alisha, Sarah, Jermaine
|
Three friends walking towards Kai
at lockers (MATCH ON ACTION)
|
N/A
|
5
|
Mid Shot
|
N/A
|
Over the shoulder of Kai talking to
Sarah
|
Sarah – Hi Kai, Coming to class?
Kai – yeah, just one sec (pulls out
book)
|
6
|
Tracking in
|
Alisha, Sarah, Jermaine, Kai
|
Four friends walking to their
classroom. Shot ends at Alisha with door handle in hand
|
N/A
|
7
|
Long Shot
Bottom left corner of the room
|
Alisha, Sarah, Jermaine, Kai
|
The four friends walk into the
classroom and each take a seat
|
Alisha – do you need some help
Jermaine?
Jermaine – No thanks, I can manage
|
8
|
Close Up
|
N/A
|
Clock at 4pm
|
N/A
|
9
|
Close Up
|
N/A
|
Cross fade to clock being at 4.25pm
with non-diegetic sound of clock ticking
|
N/A
|
10
|
Long Shot (Back to board)
|
Alisha, Sarah, Jermaine, Kai
|
Alisha turning left to talk to
friends
|
Alisha – Do you guys wanna get something to eat
|
11
|
Two Shot
|
Sarah and Jermaine
|
Agreeing to Alisha’s question simultaneously
|
Sarah and Jermaine - Yeah
|
12
|
Over the shoulder (shot reverse
shot with next scene)
|
Kai, Alisha, Sarah, Jermaine
|
Sarah turns around to talk to Kai
Whilst Jermaine and Sarah prepare
to leave
|
Sarah – You coming Kai?
|
13
|
Reverse shot from prev. scene
(mid shot for 12 and 13)
|
Kai, Alisha, Sarah, Jermaine
|
Jermaine and Alisha are waiting at
door while Kai answers back to Sarah
|
Kai – Nah I’m alright thanks
|
14
|
Long shot from opposite door
|
Alisha, Sarah, Jermaine
|
Three friends leaving in order of Jermaine,
Alisha then Sarah then to fades to black
|
N/A
|
15
|
Mid Shot
|
Kai
|
Kai is studying with camera
pointing towards Kai’s front.
|
N/A
|
16
|
Point Of View
|
Kai
|
Kai looks at the lights flickering
on and off mysteriously.
|
N/A
|
17
|
Close Up
|
Kai
|
Kai’s face expresses how worried
and confused he and when sentence is done, lights stop flickering
|
Kai – That’s weird
|
18
|
Over the shoulder from behind
Kai
|
Kai
|
Kai spots the screen turning on
automatically as he looks down from lights. Eerie pacey music
|
Kai – what the hell is going on?
|
19
|
Mid Shot from behind
|
Kai
|
Kai hears a very loud bang coming from
behind him and quickly turns around (Match on action to next shot)
|
N/A
|
20
|
Mid shot of behind Kai, this time back to board
|
Kai
|
Looking in direction behind him to
see what sound was
|
N/A
|
21
|
Long shot - Tracking in
|
Kai
|
Kai gets up from the chair and
walks towards the direction of the bang
|
N/A
|
22
|
Point Of View Shot
|
Kai
|
Kai reading note on door as he
takes it off the door with non-diegetic heart beats that continue to
next shot
|
Kai – Do Not Enter?
|
23
|
Low Angle
|
Kai
|
Kai Reading note with confused
facial expression then drops sheet
|
N/A
|
24
|
Point of view shot
|
Kai
|
Kai slowly open the door. Non diegetic
squeaky door
|
N/A
|
25
|
Close Up
|
Kai
|
Kai’s face from other side or room
with door slightly open
|
N/A
|
26
|
Extreme close up
|
Kai
|
Ad Kai shouts, camera moves towards
Kai’s face to show pouncing effect with non-diegetic ghost screech to show
the unknown attacking
|
N/A
|
27
|
Black screen with ending sound
|
N/A
|
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